I listened to a recent “Fresh Air” podcast wherein Terry Gross interviews two Hollywood dudes who had something to do with making “Toy Story 3.” The Hollywood dudes start talking about “getting to the emotional truth of the characters.” I have, with my usual painstaking attention to detail, transcribed the portion of the interview in which they reveal how they went about getting to the “emotional truth” of a Ken doll character.
Hollywood Dude #1: I don’t know if you had any Ken dolls when you were growing up; I certainly didn’t. But my friends’ little sisters did and we made endless fun of Ken. Ken’s just a-a-a whipping boy […] We thought, well what does it feel like to be a guy who’s a girl’s toy? You’re a guy, but you’re only played with by little girls. And then further, he’s just an accessory to Barbie. You know he doesn’t carry equal weight to, with Barbie, he’s really no more important than a pair of shoes or a belt or a purse to her, and we knew that he would have to have a complex.
Hollywood Dude #2: Yeah, no, I mean, that’s one of the things that’s such a pleasure working on a film like this is that you go, OK, what, you know, what are gonna be the issues of a character like Ken, like what’s gonna be the thing that like keeps him awake at night, you know, and, so, you know, immediately you come into the fact that maybe he’s a little bit insecure about the fact that-that-that he’s-he’s, you know, a girl’s toy and maybe he’s in denial of that.”
Immediately one is struck by the empathy shown poor Ken by the Hollywood dudes. Through his degraded status as a “whipping boy” toy whose lot in life is to be “only” played with by little girls, Ken accrues pathos. The subtext — that little girls are low prestige toy owners and confer shame upon any “male” toy forced to associate with them — reveals that the Hollywood dudes have thoroughly assimilated the message that female children are of lower status than male children, and actually do have cooties.
Another hilarious facet of Hollywood dudes’ remarks is their cogent assessment of the condition of existing solely as an accessory. It is obvious to them that relegating a sentient being to the role of one-dimensional second banana degrades that sentient being, which sentient being would then logically suffer psychological damage as a result (Ken’s “complex”). Yet it eludes them that this is precisely the condition they have imposed on the female characters in their own film, much less that it’s the condition overwhelmingly imposed on female characters in most other films, as well as the condition imposed on all actual live women. Does Mrs Potato Head lie awake at night pondering the horror of existing only as an afterthought to, and entirely in terms of, Mr Potato Head? Not in “Toy Story 3!”
In other words, the Hollywood dudes have perfectly illustrated the point of view of the entitled default human: men are men, and women are toys.
Boy Story, bolding mine
I haven’t seen Toy Story 3, so I can’t comment on it. However I was struck by the Hollywood Guys seeing Ken as pitiable because he has to undergo the humiliation of being played with by icky girls.
(via sunisup)
The thing that really bothers me about how Pixar approached Ken—aside from, you know, the GIRLS ARE GROSS and LOLOLOL FEMININE GUYS AMIRITE? things—is that if all that were stripped away, you’d have a story about an emotional, fashion-conscious dude who falls desperately in love with an intelligent, aggressive woman; his character arc is ultimately about their relationship, but her arc is about fighting injustice. That isn’t something you see often in fiction, and I hate that they marred it with all this disgusting sexist crap. Pixar, you guys.
(via roxanneritchi)
(via formerlyroxy)